Monthly Archives: December 2016

What It Could Be

“I don’t even know if it really was love,” I tell her. “I thought it was at the time, but then most of that was revealed to be lies anyway. So I don’t trust anything. But what I do know is that 90% of it was sad.
“I think that because of the weirdness with Dad growing up, and from being so, so close to Edward and then dealing with his suicide, I don’t think I know a love that is healthy. I don’t understand love with the absence of pain.”

She started crying.

I wanted to write a pitch for CRWN’s love issue, before realizing I had nothing sensical enough to say. I considered dragging up What it Might Be, but didn’t feel like recycling. So instead, I allowed the issue to pass, while continuing to reflect. Then I listened to John Legend’s project.

This time, I think that love may be flying through a trapeze in pitch black. You can’t see where you’re going, or really any of your surroundings, but you can feel out what’s there.

Trust.

As you spin, contort, and flip yourself through the air, there’s the moment where you let go of the ropes and poles on which you hang. You fly, blindly, arms outstretched, ready to be

Caught

And hands feel you, grab you, pull you out of the air and back into the motion of a loop, before tossing you on and allowing you to fly again. Maybe you’ll go off flying together, waiting for nets or other hands to catch you. Maybe they’ll let you go for a minute, but come back to catch you later.

Maybe they’ll drop you, and you’ll fall.

You have no idea. You can’t see. You can only follow the motion of your hoops and crests. Can only fly off on your faith.

If the hands do drop you, you have to fall with faith, too, and hope that new ones appear to catch you before you hit the ground. Maybe you’ll fly higher with them. Who knows.

If you crash to the ground, will it have been worth it?

I don’t know. Falling, you probably won’t think so.

When you’re at the peak of your arc, though, after the first time you’ve been caught and flung up again, you’ll know that this is the best feeling in the world.

At least I hope so. I can’t really remember, and I’m still swinging. I won’t let go for sadness or abuse this time.

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Who Wants to Be in a Piece?

I wrote this to be performed, then realized I have no performers. Eventually I want to turn it into some sort of visual story. As my visual skills are lacking, that may take a while. So in the meantime, here.

 

I heard that after she died, her mother wanted to move to a place where no one knew her, so that she could walk outside and be sad without wearing sunglasses.

I wish I could do that. All of that.

I wish I could be publically sad. I wish I could walk around crying when I felt like it. More than that, though, I wish that I could want to go somewhere that no one knew me. I wish that living amongst strangers were an attractive dream, and not a nightmare. It would allow for the possibility of escape. But right now, walking amongst strangers is one of the most terrifying experiences I go through.

What are the social rules for when you walk through strangers?

Repeat: “After she died, her mother wanted to move to a place where no one knew her, so that she could walk outside and be sad without wearing sunglasses. I wish I could –”

Whom do you greet? At whom should you smile? I want to be friendly; I want to be kind.

In high school, a speaker came to our school to talk about bullying. He told us the story of a man who was so depressed that he jumped off a bridge. In his suicide note, the man said that he would turn around and commit to living, if one person smiled at him on his walk to the bridge from his home.

I think about that story every day.

I think about calls I never made, and texts I sent too late.

I think about my own jumper.

I don’t want to be the inadvertent cause of another.

BUT –

I don’t really want to be that friendly, either. To strangers. Who don’t know me, and who could misinterpret my intentions in smiling. I don’t want to smile at the wrong person and then regret it.

Hidden Thought: “Edward”

What I didn’t realize would happen after I was raped: I became afraid of men. I don’t think many people think about the extent to which this happens. You think, Oh, well of course. A man did this to you, so you’ll have trust issues. What you don’t realize is that there will come a time when you’re walking through the city with an acquaintance, and you will pass by a group of guys on the corner. You will notice them noticing you, and why shouldn’t they? You look good. Hair nice, new lipstick, skirt with the slits. Let ‘em watch! you’ll think as you walk by, until you notice them peel off the corner and start to walk behind you. And for three blocks, as they continue to walk behind you, your acquaintance will talk and talk and never notice how silent you are, how rigid you are becoming. As you hear the low murmur of their voices, punctured by sinister laughs, as you begin to be confused about whether their footsteps are shaking the Earth, or you are just shaking, you’ll be thinking about the keys in your purse, wondering, if I push them between my fingers, can these work as brass knuckles? Or will that just make them mad, and rougher with me? If I just submit without trying, will they be gentler? Will anyone believe me after? Will they blame me?

Thought: “Of course they will.”

*Everyone pauses, Thoughts look at Khalilah, then all resume walking*

Repeat: “What I didn’t realize would happen after I was raped: I became afraid of men. I don’t think – ”

You will be scared out of your mind, because you will know that those guys are there to rape you, that they will rape you. This you will know, even after it turns out that the guys were just walking, and have turned off somewhere else, because this is what you have internalized: if someone you know and trust, someone who could be a friend, could do this to you, then there is nothing to stop a stranger, someone with no connection to you, and no reason to care about you, from violating you.

From One side: “You’re stupid to want to look nice. You’re an idiot, trying to be attractive, just luring them in, and expecting them not to touch you. *Getting closer to Khalilah’s face* Don’t smile at anyone! Do you want to be asking for it?”

From Other side: “Edward.”

*Thoughts begin to walk in imperfect circle around Khalilah, stepping out of the circle to speak, and then re-entering as she speaks*

There are too many dates on the calendar. On February 16, we found his suicide note.

“Don’t let him die.”

On December 24, he told me that he was better. That he was committed to being healthy.

“What’s wrong with him, Khalilah?”

On March 25, a jogger found his body.

“Why can’t you be friendly?”

On May 20, he told me he loved me as he invaded my body.

“I never said, ‘he did not rape Khalilah’. Stop worrying that I’m spreading a counter narrative about you, and worry about yourself.”

*Khalilah stops smiling, turns from a Thought*

“Well fuck you then, bitch.”

From other side: “Edward.”

*Everyone stops walking*

You ever get to a place where your traumas seem to trump you? Where you’ve got to choose to let one run wild over you, so you can combat the other? It’s like a game a whack-a-mole where I am both batter and target.

*Resume walking randomly, not in a circle. Thoughts should be pretending they have somewhere to go, intersecting Khalilah/each other like traffic, but without forcing anything (if that makes sense)*

He is 1,728 days dead. And she would be 301 days old. I’ve got ghosts on each shoulder.

Does he have any? Does he have ours? The man whose name I am legally no longer allowed to say. Would he deny his daughter? My daughter? The proof of his perpetration. His friends, fellow activists, would no longer be able to send me hateful messages, or accusations, or spread their guilt-induced counter narratives, not with her around. She would have to be female, I know, because I would hate any son in his image. Any man.

“Edward.”

Please, please stop saying his name. I’m not even thinking it. I’m not saying it.

Thought from other side of the room: “You can still feel his dreads sometimes. You still see him when your eyes are open, and feel him when your eyes are closed. You can still hear the contrast between your moans and his laughter – ”

*Khalilah runs over as it speaks, faster now*

I don’t want to, I don’t want to. Those aren’t things I want to hold onto, those are memories I want out of my thoughts –

Thought from the other side of the room: “Edward.”

*Khalilah whirls around*

NO! Stop. He isn’t here. Why don’t people understand the power of names, the power of calling someone? Call a living person, and you summon an idea of them. When someone is dead, the idea of them becomes their essence. I do not want to deal with his ghost right now. His nonexistence. He left. He left – me. You cannot call him; I cannot call him – 

*Thoughts have been moving closer to Khalilah as she unravels. They pull cords out of their pockets, and begin to move quickly around Khalilah like a Maypole, binding her*
*Different thoughts begin to speak, in round form. After the first gets out two sentences, the next begins, and the next after the second’s first two sentences*

“He is seventeen-hundred, twenty-eight days dead. And she would be 301 days old. There are too many dates on the calendar. On February 16, we found his suicide note. On December 24, he told me that he was better. That he was committed to being healthy. On March 25, a jogger found his body. On March 20, he told me he loved me as he invaded my body. You ever get to a place where your traumas seem to trump you? Where you’ve got to choose one to let run wild all over you, so you can combat the other?”

“I wish I could be publically sad. I wish I could walk around crying when I felt like it. After she died, her mother wanted to move to a place where no one knew her. More than that, though, I wish I could want to go to a place where no one knew me. What are the social rules for when you walk through strangers? Whom do you greet? At whom should you smile?”

“You think, Oh, well of course. A man did this to you, so you’ll have trust issues. 

*When Khalilah is sufficiently bound, one Thought moves to cover her mouth. She struggles around, moving her head to get out the last bit of monologue, while one Thought goes to get tape*

SOMETIMES I THINK THAT MY THOUGHTS ARE GOING TO TAKE OVER MY EXISTENCE. SOMETIMES I THINK I’LL HAVE TO CHOOSE BETWEEN GETTING BY AND LIVING, AND ACTUALLY MAKING SENSE OF WHAT’S HAPPENING.

SOMETIMES I THINK THAT I’LL GO INTO MY HEAD TO ORGANIZE MY THOUGHTS, AND I’LL GET LOST. I’LL LOSE CONTROL, AND MY THOUGHTS WILL ALL SWIRL UP AND CONSUME ME AND I’LL NEVER BE ABLE TO COMPLETELY SPEAK AGAIN. IT’LL JUST BE ME, IN MY HEAD, MUTE, WITH MY TRAUMAS.

*Thought finally succeeds in taping Khalilah’s mouth shut. It gently runs its hands over the tape, pressing it down more firmly, as the others stand watching, still holding their ends of the cords*

*A New Person enters, dressed in ordinary clothes*

New Person: “What are you thinking about?”

Lily-Colored Glasses

“What does this tattoo mean?” he asks, touching Akeelah in Reality, the larger one on my back.

“It’s a girl who meets a man who’s really a monster,” I tell him. “She only sees what he presents to her, but the whole time the monsters are coming out the back of him to swallow her. She realizes it almost too late, and now she is in a perpetual struggle to withstand corruption and stay safe, in the face of the evils coming to get her. If she looks him in the face and fully acknowledges what he is, she’ll be corrupted and lost. If she remains ignorant, she’ll be swallowed.”

“Wow. How did you come up with that?”

“I met some monsters.”

                  img-20141223-wa0014

I was going through old messages to a friend, when I found this picture from a few years ago, with the caption, “I need to tell you about SA!”

I didn’t think this picture still existed. I’d deleted it from my phone, along with all the others concerning This Guy. But it turns out my phone saves all mms messages, and this sucker has been with me all along.

I considered deleting it again, but decided not to because

  1. We look good
  2. I look happy
  3. I look young

2 and 3 sort of go together. When I say that I look young, I’m not trying to be ridiculous and imply that I look sooo ollllld now, or that I have a fear of aging. Quite the opposite. By young, I guess I mean that I look my age, which at the time was 20. I look like a 20-year old in this picture, and I think it’s because I’m happy.

The other day in the teacher work room, we were talking about birthdays and ages. The 27-year olds were all surprised that I was five years younger than they. The 30 year-old suddenly felt awkward for hitting on me. My tattoo artist asked me if anyone ever told me I seemed very mature for my age. My ancienne French professor praised my “incredibly strong, emotional maturity”.

At first all of this was cool. It still is, a little, knowing that people will take me more seriously than they might other people my age. This is all when I don’t think about where it’s coming from.

When this picture was taken, the worst thing that had happened to me was my cousin jumping in front of a train. And, I suppose, meeting The Man, and then again finding him inhabiting another person’s body. It’s funny that all of that used to dominate my life.

When this picture was taken, This Guy and I were just ‘friends’. He hadn’t kissed me yet. He also hadn’t yet sat back as my cousin, his friend, abused me, or after our mutual friend, the photographer, raped me. In my life, I had only ever been assaulted. I was a virgin who was afraid of love and had never been in a relationship. As I type it all out, I understand that I wasn’t really innocent back then. The nostalgia of my present day tints it that way, though.

“The yearbook committee completely messed up my senior quote,” I complain to a girl I haven’t seen since high school. “It was supposed to be a quote from Tennyson, The Lady of Shallot? It’s a poem that takes place in Arthurian times.
“Basically, Shallot is a little island upriver from Camelot, and it holds a tower, in which a woman lives. No one ever sees her, but sometimes reapers hear her singing. She spends all day and all night, all her life, weaving at a loom. She weaves what she sees in a magic mirror that hangs beside her and shows her the outside world, and she can only look into the mirror, because there’s a curse on her should she ever stray from it. But she gets so tired of only seeing the world second-hand.

“Then one day, Lancelot stops by Shallot on his way back from a quest. He doesn’t really pay attention to anything, and just sort of bathes and sings to himself before riding off again, but that’s it for the Lady. She decides that she wants to see him for herself. So she leaves the loom, and looks out the window, and falls in love with what she sees. Only immediately afterward, she’s hit by the curse. She flees from her tower and gets into a boat heading after Lancelot toward Camelot, but she dies on the journey over.

“Anyway, my quote was

She left the web; she left the loom
She made three paces through the room
She saw the water-lily bloom
She saw the helmet and the plume
She look’d down on Camelot

“It’s the perfect part of the poem. She decides she’s had enough of the limits. In an extreme bout of courage, she leaves the world she knows, and for the one moment between leaving and the curse hitting her, everything is beautiful. Of course, the committee messed everything up and stopped the quote in the middle, saying it was by a Lily Bloom.”

In so many ways, I have tied myself down to my present understanding. As lies and manipulations have surfaced, as true characters are exposed, clarity necessitates that the cousin is gone, XXXXX is deleted, This Guy has been removed. It’s torture to look back on lies, to remember false realities, so I don’t. But I think I’ll keep this one picture. This Guy was never fully a monster, and the happiness in this picture is completely real. Everything about this picture is real, I am as happy as possible, and on the edge of Everything. This picture is a water-lily, and it’s nice to know that the past has flowers among the thorns.

I look at this picture, and the monsters slither and weave out of The Man’s back, and all I can do is put up my hand to hold them back, because I am tired. I am tired. And maybe it’s okay that I won’t have seven kids, because maybe I’m like an animal, aging faster than my years, and maybe 83 will come to me faster than it would a normal person.

Or maybe I’m not the Lady of Shallot, and maybe this is my awful moment at the edge of some great happiness, and maybe in aging quickly I’ll be able to retire faster. Maybe my boat will make it to Camelot before I’m dead. She did go out unprotected in a storm, and with my maturity comes weathering experience.